Secret Life from reynold.reynolds on Vimeo .
human bodies that fall, burn or explode, left at the mercy of natural forces and abandoned the scrutiny of foreign researchers, urban and domestic environments are not able to preserve their inhabitants of the essential fragility, threatened by the exuberance (or decay) of nature and the aggressiveness of mechanisms which are not all organic, choreography shared by a woman's body, growing vegetation and a watch whose line drag point eyes of the beholder ... experimental images Reynold Reynolds (Alaska, 1966) have in their infinite loops bushed from the last day 20 in Room 1 of the Antiguo Instituto Jovellanos, as invited to 48 International Festival Gijon Film in a battery of four facilities contain one of the most enchanting art shows in recent months in Asturias.
The experimentalism of Reynolds goes well beyond that of most artists these days display their work in sections of the contest Gijón, though his sense of narrative and planning and many of its tools are fully films are integrated in facilities that, in turn, are in the service of exploration of some of the obsessions of its author: philosophical considerations about time, lapse, privacy, the fragility of the human mind and the stubborn resistance of the body reduce to mechanics left ... And, aside from any of these readings more subtle, impact the audience with his strength and his twisted and sickly beauty, which aims to hit Reynolds in the subconscious of the beholder. Four
theater installations includes two parts of the multi Secrets Trilogy (the stunningly beautiful life Secret Secret and machine), Sugar, the more narrative and more air tight time four, and Seven days till Sunday, a collection of films on Super 8 in collaboration with Patrick Jolley Reynolds shows where bodies burn, explode, lie or fall from bridges, stairs or buildings in urban settings that just are not able to protect most basic forces of nature, but sometimes seem to become unleashed.
(New Spain, supplement Culture, 25/11/1910)
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